Zip-gun safely stored in the cistern, a Harlem teenager could leave his decaying tenement and join others for an acapella session in a dingy pool-hall or on a deserted subway platform. Street-corner talent-spotting became the normal way for a group to obtain a record contract.
An audition from the guy who crossed the road to listen might mean gifts for all the folks and a shiny Cadillac. As groups proliferated the age at which they turned professional took a nosedive. They called themselves The Classmates, The Juniors, The Sixteens, establishing a solidarity between themselves and their audience. Many were too young to sign contracts and their parents, scarcely knowing what it was all about, signed for them.
A million-seller or a string of dismal failures could follow. Either way, the group was soon back in the ghetto, tossed aside like an empty cigarette packet.
The Teenagers made a greater impact than most but their case-history was typical of the era and their origins were not unusual. This quarter, variously known as The Couple de Villes or The Premiers, exercised their vocal chords among the hallways of the drab, five-storey monoliths on th Street.
They also attended Edward W. During the audition Frankie's voice stood out and, at Goldner's suggestion, the lead in subsequent recording sessions was given to Frankie. Frankie did some improvising and re-created the melody to match his own style. According to Jimmy Merchant, what happened at the recording session was a combination of "Frankie's singing ability coupled with George Goldner's special ability to bring out the best in Frankie.
Although early vinyl single releases of "Why Do Fools Fall in Love" credit Frankie Lymon, Herman Santiago, and George Goldner as co-writers of the song, later releases and cover versions were attributed only to Lymon and record producer George Goldner. After a lengthy court battle, song-writing credits were awarded to original Teenagers members Herman Santiago and Jimmy Merchant in December However, four years later in , this ruling was overturned by the Court of Appeals for the 2nd Circuit under the statute of limitations and authorship, because Santiago and Merchant did not bring the case to court soon enough.
This gave the song rights back to Lymon and Levy. Unlike the original, this version contains echoes of the soul of the s. A remix of Ross' cover peaked at 36 on the UK charts in July, The plot of the music video Diana Ross performs the song in a city full of casinos and clubs.
The Beach Boys version of the song charted at It had only appeared in mono since the release of the single back in The only release that was heard through the 90's and was the album mono mix.
The single mix of the song was found and used on the The Warmth of the Sun Compilation and on Singles Boxset. The Boxset also used a recently found mono Single Edit mix. In , a new stereo mix was created with an amazing newly discovered intro thanks to the discovery of the original multitrack masters by Jon Stebbins.
That version is featured on the band's new compilation Summer Love Songs. The Gallahads [US2]. Johnny Cameron - Orchestra conducted by Sammy Lowe. The Dovells. Linda Scott. The 4 Seasons. The Chiffons. The Beach Boys. The Hullaballoos. Ted Taylor. The Symbols. The Fourmost. Pat Carroll [AU]. Jokers Wild. The Fuller Brothers. The Track. The Happenings. Eddie Holman. Taste of Honey. Ponderosa Twins Plus One.
Summer Wine. Lou Christie. Tatsuro Yamashita. Sha Na Na. Derrick Harriott.
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